
VAN DYKE PARKS SONGS CYCLED (Bella Union, 2013) Van Dyke Parks albums are like comets. Excepting a collaboration with Brian Wilson in 1995 (the quaintly offbeat Orange Crate Art ), the last VDP offering – Tokyo Rose – flared over the horizon in 1989. So, let’s see, that’s 24 years ago. A quarter of a century between albums is unusual, even in the relaxed timetables of many of today’s recording artists, who may casually punt out an album every decade or so. 24 years. Rock stars are born and die in that time. If there is one thing that Van Dyke Parks isn’t though, it’s a rock star. From his perch in contemporary pop music – as producer, arranger, composer and lyricist – his solo output is stubbornly unfashionable, distinctly erratic and wilfully idiosyncratic. Van Dyke describes himself as a rusty nail, “just waiting to be hammered down by an intolerant bastard, with no room for what isn’t rockin’ or classically elite.” Since releasing Song Cycle in 1968, Van Dyke has rel...